The Star Wars Black Series Saga Edition Multipack Preorders

A long time ago in a galaxy far, far away… and now it’s landing right on our shelves! We are so excited to bring you this news because Hasbro is giving Star Wars Black Series collectors something really special with this new Saga Collection Multipack, and it is now available for preorder at our friends over at BigBadToyStore, Entertainment Earth, Amazon and Hasbro Pulse for $199.99. You can also preorder the figures individually at the retailers listed below, direct links provided for your convenience. This set spans Episodes I through VI and the character selection here is just amazing. You’re getting Queen Amidala, Anakin Skywalker, Luke Skywalker, a Galactic Marine, IG-88, and Tessek all in one box. I love how this covers the full breadth of the saga, from the prequels all the way through the original trilogy, and the mix of iconic heroes alongside deep cut characters like Tessek is so much fun. That Galactic Marine alone is going to have clone collectors losing their minds. Each figure comes loaded with accessories including lightsabers, blasters, helmets, and character-specific equipment, and they all feature the collector-grade articulation we expect from the Black Series at this point. And can we talk about the VHS-style packaging? How cool is that?! It’s such a charming throwback and I just know collectors are going to want to display that box alongside the figures themselves. Six figures for $199.99 is a really solid value for a premium multipack like this, and with a March 2027 ship date you’ve got plenty of time to plan your display space. So let’s take a look at the Star Wars Black Series Saga Collection Multipack!

Where to Buy

You can preorder the figures at the following retailers below

Star Wars: The Black Series Saga Collection Multipack

Here’s a closer look at the full set lined up, and you can see how the spines form a continuous visual run when stacked together, each box using its own distinct color palette and scene composition to represent its respective film. The front panel leans heavily into Episode I with a stunning portrait of Queen Amidala, her white face paint and ornate royal gown filling the cover, while the top of the box teases glimpses of all six movies through additional scene artwork.

The packaging on this set is a real love letter to the VHS era, with the entire box designed to look like a collection of six tapes spanning Episodes I through VI. Each spine features its own movie-accurate scene photography using the included figures, from Darth Maul’s duel in Episode I all the way through the bounty hunter lineup in Episode VI, all framed against a gorgeous gold and black color scheme that ties the whole collection together.

The outer box wraps all six VHS-style cases in a mosaic of sepia-toned photography, each panel pulling from key moments across the saga, from lightsaber clashes to desert landscapes to imperial confrontations. I like how the warm gold wash unifies every scene into something that feels like a vintage film collage, giving the whole package a cohesive, premium feel you’d want to keep on display.

Anakin Skywalker’s sculpt really delivers on the Episode II look, with his cropped Padawan haircut, the thin braided strand trailing behind his right ear, and a serious, brow-furrowed expression that captures that restless intensity from the film. His dark brown Jedi tunic sits under a weathered leather tabard, and the layered earth tones across his robes create a natural warmth that pairs well with the muted tan of his utility belt and the silver hilt of his lightsaber.

The Episode I panel features a beautifully painted close-up of Queen Amidala, her white-painted face framed by the towering gold and crimson headdress, with the pair of red beauty marks on her cheek and lower lip adding a subtle but faithful touch. Off to the right, a smaller scene shows her full figure draped in flowing red robes against a warm, sunlit interior, a really nice compositional choice that lets you appreciate both the portrait and the costume in a single glance.

The front panel artwork is a faithful recreation of the original Phantom Menace theatrical poster, with Qui-Gon Jinn’s portrait looming large above a young Anakin Skywalker, while Darth Maul’s piercing red and black face hovers ominously across the top of the composition. I like how the gold border framing the artwork mirrors the warm tones within the illustration itself, pulling everything together into something that genuinely looks like a vintage VHS tape you’d find on a shelf in the late ’90s.

The Episode II box art features a tight, half-face portrait of Anakin Skywalker, his sandy hair swept back and a serious, focused expression that really sells the Hayden Christensen likeness. The right side of the panel depicts a dramatic lightsaber clash between Anakin and Count Dooku, their blue and red blades illuminating the darkened Geonosian hangar in a way that perfectly captures that pivotal film moment.

The Episode II front panel leans into the classic Attack of the Clones theatrical poster composition, with Anakin and Padmé’s portraits layered against a warm, explosion-lit backdrop while Jango Fett’s armored silhouette and Obi-Wan Kenobi fill out the lower half. It’s cool to see how much character detail is packed into the illustration, from Padmé’s soft curls and determined gaze to the cool blue glow of Obi-Wan’s lightsaber cutting through the fiery palette behind him.

The Episode III panel showcases a massive close-up of the Galactic Marine’s helmet, the deep crimson crest sweeping back over a stark white faceplate with that distinctive angular visor cutout. Off to the side, a smaller scene depicts the full figure in dark blue and grey armor, blaster rifle at the ready against a moody, rubble-strewn battlefield setting that nails the grim tone of Revenge of the Sith.

The Revenge of the Sith front panel is a gorgeous recreation of the original theatrical poster layout, with Anakin Skywalker’s brooding portrait at center flanked by Padmé and Obi-Wan, while Darth Vader’s helmet looms in shadow above them all. You can see how the fiery glow of Mustafar bleeds up through the lower half of the composition, where two dueling silhouettes clash sabers in a burst of white light that anchors the entire piece.

The Episode IV box art features a striking close-up of Luke Skywalker in his X-wing pilot helmet, the white shell detailed with red, yellow, and black markings, his visor raised to reveal those wide, determined eyes and tousled sandy hair beneath. Off to the right, a smaller grouping shows Han Solo, Princess Leia, and Luke in his pilot gear together, their figures softly lit in warm tones that evoke the medal ceremony’s quiet triumph.

The A New Hope front panel delivers a classic rendition of the original 1977 theatrical poster artwork, with Luke and Leia’s portraits dominating the upper half while X-wings and starships streak through an explosion-lit starfield below. I like how the warm amber and gold tones wash across the entire composition, from the fiery burst at center to the cool blue edges of space, making this one feel like the most iconic of the six VHS-style covers.

The Episode V box art gives us a gorgeous close-up of the Executor’s bridge interior, with a massive viewport column dominating the left side of the panel in cold, industrial grey tones. Dengar and IG-88 share the smaller scene on the right, perfectly recreating the iconic bounty hunter lineup moment, with Darth Vader’s shadowy silhouette lurking just behind them in the dim lighting of the Star Destroyer’s bridge.

The Empire Strikes Back front panel is built around a moody, star-scattered space scene, with Darth Vader’s towering helmet and mask fading into the cosmos above a detailed Millennium Falcon pursued by a swarm of TIE Fighters. The Emperor’s wrinkled, hooded face lurks just beneath Vader’s chin, a subtle but effective compositional choice that layers the film’s villains together against the cold expanse of the starfield.

The Episode VI box art presents a dramatic close-up of Tessek’s elongated, trunk-like snout and pale blue eye, the sculpted wrinkles and cracked skin texture across his fleshy cranium rendered in gorgeous warm ochre tones. In the background, you can just make out a smaller scene featuring Salacious Crumb perched atop what appears to be a throne room setup, tying the whole panel firmly to Jabba’s Palace.

The Return of the Jedi front panel pulls from the iconic Drew Struzan theatrical poster, with Luke and Vader’s silhouettes locked in a lightsaber duel at center while Chewbacca, Jabba the Hutt, C-3PO, R2-D2, and an Ewok fill out the surrounding collage against a deep blue and green starfield. I like how the composition keeps those crossed sabers as the focal point, their pink and white glow cutting through the darker tones and drawing your eye straight to the heart of the piece.

Queen Amidala: Episode 1 – The Phantom Menace

Something I appreciate here is the close-up inset of Queen Amidala’s face, where you can really take in the subtle red beauty marks dotting her cheeks and the deep crimson lip paint against that stark white complexion, all framed perfectly by the sweeping gold horns of her headdress. The orange jeweled accents near her hem have a wonderful translucency to them, and the way the plush fur cuffs swallow her delicate hands adds a sense of real weight and luxury to the overall silhouette.

Queen Amidala’s throne room gown uses a mix of soft goods fabric and sculpted elements that work surprisingly well together, with the brown faux fur trim lining every edge of the robe and creating a plush, tactile border around the sleeves and base. Her golden headdress is topped with a sharp finial point, and those dark, coiled hair pieces flanking her face frame the white-painted portrait beautifully against the high, flared red collar.

You can see how the intricate gold filigree pattern running down the center panel of her gown has a raised, almost embroidered texture that gives the whole front of the robe a regal, ceremonial weight. The translucent amber and orange bulbs along the hem sit in sculpted cradles that look almost jewel-like, a gorgeous little detail that adds unexpected depth to what’s already a lavish costume piece.

Here’s a closer look at Queen Amidala from the back, and the real star of this view is her elaborate hair sculpt, with those thick, rope-like coils braided tightly together and cascading down between her shoulder blades in a heavy, structured arrangement that feels genuinely weighty. The orange and gold ornamental bulbs along the lower hem look even better from this angle, their translucent glow nestled into sculpted settings that pop against the rich red fabric and plush brown fur border pooling at the base.

Clad in her voluminous crimson throne room gown, Queen Amidala cuts a striking silhouette here, the heavy layered fabric of her robes pooling around the base with those signature orange and gold ornamental details just peeking through at the hem. I like how the light spills across the textured weave of her cloak, letting you appreciate the way the sculpted folds break up the deep red into rich tonal shifts from shadow to highlight.

Queen Amidala’s individual packaging really lets her throne room gown steal the show, that deep crimson fabric covered in intricate gold filigree running down the center panel, with plush brown fur trim lining the wide sleeves and hem. Her golden horned headdress sits tall above the white-painted face, and the rich red and gold color palette absolutely commands the window space against that cool blue burst behind her.

Queen Amidala’s individual packaging places Queen Amidala’s portrait on the left panel, her elaborate headdress and regal facepaint creating a strong visual contrast. Her elaborate headdress and regal facepaint creating a strong visual contrast to the angular droid on the front.

Anakin Skywalker: Episode II – Attack of the Clones

Clad in his dark leather tabard over layered brown and charcoal Jedi robes, Anakin Skywalker’s Padawan braid is a nice, subtle sculptural thread that trails just past his jawline, easy to miss but faithful to the Episode II look. The silver lightsaber hilt clipped to his belt has crisp cylindrical detailing with a small black accent band near the emitter, sitting snugly against the sculpted leather belt strap that cinches everything together at the waist.

Anakin Skywalker’s blue lightsaber blade shares that same gorgeous translucent white-core-to-vivid-blue gradient as Luke’s, and the silver hilt tucked beneath it catches just enough contrast against his dark robes to keep it from disappearing into the outfit. His open Force-push hand has individually sculpted fingers with soft, natural spacing between them, a small touch that makes the gesture feel far more convincing than a stiff, splayed palm would.

Anakin Skywalker’s weathered leather tabard has a rich, grain-heavy texture across the back and shoulders that you really get to appreciate from this three-quarter view, the dark brown layering beautifully over the charcoal inner tunic. His tall boots feature those wrapped strap details climbing up the shin, each band individually sculpted with a buckled, layered look that adds welcome visual interest to the lower half of the figure.

Anakin Skywalker’s full accessory spread is laid out here, and it’s a clean, focused loadout, with the blue lightsaber blade, a translucent blue Force effect piece shaped like a wide, tapering wedge, the silver lightsaber hilt, and a swap-out open palm hand for gesture posing. That Force effect piece is the real highlight of the bunch, its broad, triangular shape suggesting a concentrated telekinetic push, and the frosted blue plastic has a nice semi-transparent quality that should look great attached to the figure in action scenes.

Anakin Skywalker’s individually packaged box follows the same blue hyperspace-style burst behind the window, and you can see his full Padawan outfit through the packaging, layered brown and dark tunics over wrapped leggings. His lightsaber hilt is tucked alongside him, with that signature blue blade extending upward through the window space.

Here’s a closer look at the back of the Anakin’s individual packaging, and it mirrors the same general layout with the cross-sell thumbnails for the rest of the wave. The left side features a large profile shot of Anakin Skywalker’s portrait, his swept-back hair and determined expression filling the panel with a moody, dramatic tone.

Anakin Skywalker squares off against Count Dooku in a beautifully staged recreation of their Geonosian hangar duel, the blue lightsaber blade casting a cool glow across his brown Jedi robes while Dooku’s sweeping crimson-lined cape billows dramatically with the motion of his strike. It’s nice to see a fallen Yoda figure tucked into the lower left corner of the scene, a small but effective storytelling detail that anchors this firmly in that specific Attack of the Clones moment.

Galactic Marine: Episode III – Revenge of the Sith

The Galactic Marine’s helmet close-up really lets you soak in the texture of that crimson crest, where fine, scratchy surface detailing across the dome mimics worn composite plating in a way that adds gritty realism to the sculpt. His white faceplate has a smooth, almost porcelain quality that plays beautifully against the rougher finish of the maroon elements, and those narrow, angular visor slits give him an imposing, unreadable look that’s perfectly suited to a cold-weather assault trooper.

Sporting his distinctive crimson helmet and white armor plating, the Galactic Marine’s dark maroon kama flows behind him with a convincing fabric-like drape, its sculpted edge catching just enough separation from the matching shoulder pauldron to keep the color blocking visually interesting. The tan utility belt pouches sit tightly against his waist, and that compact black blaster pistol has a nice chunky profile with subtle mechanical ridges along the barrel.

Here’s a closer look at the Galactic Marine from behind, and the kama’s sculpted center split down the back is a practical detail that allows for leg movement while maintaining that long, skirt-like drape over the white armor underneath. The white backpack unit is a chunky, modular-looking piece with tan supply pouches strapped to its lower edge, and the dark harness straps securing it across his shoulders sit tight against the maroon chest plate without adding too much bulk to the profile.

Sporting his deep maroon armor over a white bodysuit, the Galactic Marine’s chest plate has a wonderful weathered quality to it, with dark scuffing and wear patterns scattered across the crimson surface that give the armor a genuinely battlefield-worn feel. His utility belt carries a mix of tan and pale blue pouches across the waist, and the two included blaster rifles, one long-range and one shorter carbine-style, are both finished in glossy black with a small silver cylinder detail on the larger weapon.

Here are some fun shots of the Galactic Marine alongside a squad of clone troopers, and this kind of scene really lets you appreciate how distinctive his helmet design is compared to the standard clone bucket, with that deep angular visor and swept-back crimson crest towering over the hooded troopers flanking him. The dark maroon kama and shoulder pauldron add welcome color separation against all that white armor, and the cold-weather hood on the nearby Galactic Marines creates a great visual contrast between the two trooper variants.

The Galactic Marine’s individual packaged box art features a striking blue hyperspace-style burst behind the figure, giving the window a real sense of depth. You can see the figure and his accessories through the packaging, with that maroon and white armor color scheme really popping against the cool blue interior.

Here’s a closer look at the back of the packaging, which features a large, shadowy portrait of Galactic Marine. That distinctive visor and helmet sculpt rendered in cool grays and maroon tones. The cross-sell grid showcases six other figures in the wave, including Queen Amidala, Anakin Skywalker, a Galactic Marine, Luke Skywalker, IG-88, and Tessek, each framed in their own individual thumbnail with a clean orange border.

Luke Skywalker (X-Wing Pilot): Episode IV – A New Hope

Luke Skywalker’s face sculpt carries a youthful, slightly wide-eyed expression that captures the Mark Hamill likeness nicely, with soft brown hair swept across his forehead in that classic A New Hope style. The chest box is loaded with tiny sculpted switches and gauges, and the hoses trailing from it down to his waist add a functional, utilitarian quality to the whole pilot rig.

Outfitted with his pilot helmet snapped securely in place, Luke’s grey utility straps wrap around his thighs and connect to the heavy, dark grey anti-G suit cuffs that bulk up his lower legs, giving the whole flight suit a layered, functional feel below the waist. His black gloves have a glossy, almost wet-look finish that pairs nicely with the matching sheen on his boots, tying together the darker extremities against all that burnt orange.

I like how the blue lightsaber blade has a beautiful translucent gradient that shifts from a bright white core to a vivid electric blue at the edges, giving the accessory a convincing energy weapon glow. The sculpted creases and wrinkles across Luke’s orange flight suit carry through consistently from torso to legs, and those heavy black boots have a chunky, utilitarian profile that anchors the whole pilot look.

You can see how the grey harness straps crisscross cleanly across Luke’s back, each one individually sculpted with raised stitching lines and small buckle details where they connect at the waist, creating a convincing web of pilot rigging that looks great from this rear view. The pilot helmet’s back panel features that sweeping bird-like emblem in dark red and gold, a crisp little deco touch that you’d never catch from the front but really rewards a second look.

Luke Skywalker comes equipped with a solid accessory spread here, including his blue lightsaber blade, a lightsaber hilt, a blaster pistol, and that iconic X-wing pilot helmet with its yellow-tinted visor and red Rebel Alliance markings. His orange flight suit has a great leather-like sheen to it, and the grey chest harness with its sculpted life support box, complete with tiny blue and grey control buttons, sits snugly over the white flak vest underneath.

Here are some fun shots of the original trilogy’s core trio together, and the scale between Han, Leia, and Luke feels just right, with Leia’s smaller frame nestled naturally between the two taller figures. Han’s navy blue vest has a great leather-like grain to its surface, and the warm cream of his open-collared shirt creates a clean contrast against the cool orange and white of Luke’s X-wing gear beside him.

Luke Skywalker’s individual packaging gives you a great view of his full X-wing pilot flight suit through the window, that vivid orange fabric contrasted against the white flak vest and dark harness webbing across the chest. His pilot helmet and lightsaber are packed alongside him, with the helmet’s red Rebel Alliance markings and gold visor making it one of the more visually interesting accessories in the tray.

The back of Luke Skywalker’s packaging places X-Wing Luke’s portrait on the left panel. It’s cool to see how each box in the wave rotates a different character into that side portrait slot, keeping the packaging feel fresh even when the overall template stays the same.

IG-88: Episode V – The Empire Strikes Back

IG-88’s rounded dome head has a clean silver finish that contrasts against the darker, more weathered tones of his body, with those small red photoreceptor dots clustered together providing the only splash of color on an otherwise monochromatic frame. The concussion disc launcher slung across his back is a massive, heavily detailed piece with layered greebles and a thick stock, its sheer size really selling the idea that this droid was built to carry serious firepower.

IG-88’s lanky frame is packed with sculpted mechanical detail, from the bundled cables running down his torso to the cylindrical canisters mounted across his midsection, all finished in a mix of dark gunmetal and tarnished bronze that sells the worn, industrial look. The blaster rifle is a hefty, multi-barreled piece with layered sculpt work, while the vibroblade in his opposite hand adds a nice secondary weapon option with its gold-toned grip and flat silver blade.

IG-88’s spindly legs are a highlight worth noting here, with each one featuring exposed piston rods running alongside the main limb struts and small hydraulic cylinders at the knee joints that really sell the mechanical engineering of the design. Those flat, claw-like feet have a segmented, almost insectoid quality to them, with thin toe prongs spreading outward to create a surprisingly stable base for such a tall, narrow figure.

IG-88 comes with an impressive arsenal laid out beside him, and you can really appreciate the scale of that concussion disc launcher next to the blaster rifle, both pieces loaded with sculpted greebles and mechanical texturing. The vibroblade’s gold grip transitions cleanly into its flat silver cutting edge, a simple but effective little weapon that rounds out a genuinely well-equipped accessory spread for the assassin droid.

Here’s a closer look at the bounty hunter lineup recreation, and it’s such a perfect Empire Strikes Back moment, with Dengar, IG-88, and Boba Fett gathered before Darth Vader on what looks like the Executor’s bridge. IG-88’s sculpt is absolutely loaded with mechanical detail, every piston, cable, and joint rendered in weathered bronze and gunmetal tones that contrast nicely against Dengar’s muted cloth wrappings and Boba Fett’s scuffed green and yellow armor.

IG-88’s individually packaged box uses that same swirling blue backdrop, and the tall, spindly droid frame fills the window nicely with all those exposed mechanical details and bandolier straps running across the torso. A solid spread of accessories surrounds him, including what looks like a blaster rifle, a smaller blaster pistol, and a staff with a blade-like tip, all arranged within the tray alongside a few smaller gear pieces near the bottom.

The back of IG-88’s packaging rotates IG-88’s portrait into the left panel, and I’m really digging how the droid’s narrow, cylindrical head and sensor arrays translate into that moody illustrated style.

Tessek (Squid Head): Episode VI – Return of the Jedi

Tessek’s head sculpt is where this figure really shines, with those long, fleshy tentacles cascading from his lower face, each one individually sculpted with subtle ridges and organic tapering that gives them a real sense of movement and weight. His bright blue eyes are a striking contrast against the warm, peachy skin tones of his elongated Quarren cranium, and those two curved tusks flanking his mouth add a menacing little touch you don’t fully appreciate until you see them up close.

Armed with a compact blaster pistol, Tessek’s hands have a wonderful fleshy, slightly wrinkled sculpt to them, with those elongated fingers curling naturally around the grip in a way that feels organic to his Quarren anatomy. His dark shoes peek out just beneath the cream hem of his robes, a small but welcome finishing touch that grounds the figure’s otherwise flowing, fabric-heavy lower half.

Tessek’s soft goods cape has a lovely natural drape to it here, with the grey fabric falling in uneven, slightly gathered folds that give it a worn, lived-in quality you don’t always get with cloth goods at this scale. His gold waist sash catches your attention immediately against the muted cream and grey palette of the rest of his outfit, and those dangling face tentacles have a wonderful organic sway to them that keeps the sculpt from ever feeling static.

Tessek’s robes combine soft goods and sculpted elements in a way that really works at this scale, with the grey fabric cape draping naturally over his shoulders while the cream-colored lower garment hangs with a convincing, slightly rumpled weight. His wide gold waist sash is covered in raised, riveted studs that give it an almost armor-like quality, and the blaster pistol included alongside him is a compact little piece with nice mechanical detailing throughout.

Tessek is right at home in this Jabba’s Palace recreation, his soft goods robes settling into that characteristic slouchy drape while Boba Fett and Salacious Crumb fill out the scene behind him. I noticed that the gold waist sash really pops under warmer lighting like this, its studded texture catching just enough shadow to make each raised rivet stand out against the cream and grey tones of his layered outfit.

Tessek’s individually packaged box showcases that distinctive Quarren head sculpt through the window, with those dangling facial tentacles and piercing blue eyes immediately drawing your attention. The off-white robes and dark chest armor create a layered look that feels right at home among Jabba’s palace denizens.

The back of Tessek’s packaging puts the Tessek’s portrait on the left panel. The cross-sell thumbnails here give a nice side-by-side look at just how varied the wave is. The warm amber tones of Tessek’s cross-sell thumbnail contrast nicely with the cooler palette of the Galactic Marine and Luke Skywalker thumbnails nearby.