Teela, Skeletor, and Evil-Lyn MOTU Chronicles Movie Figure In-Hand Images

If it somehow wasn’t enough that we were already riding high after getting treated to images of the MOTU Chronicles lineup, this reveal managed to crank the excitement up another notch and then some, because we also got these fantastic, very human moments by @masters that really brought the whole Masters of the Universe Chronicles project to life for me as a fan. Seeing Camila Mendes holding up Teela immediately hits differently than a standard product shot, as it connects the character on screen directly to the figure collectors will eventually have on their shelves, and the same goes for Alison Brie proudly showing off Evil-Lyn, which feels like a quiet nod to how closely the film and the toy line are being developed side by side. Moments like these make the Chronicles branding feel intentional rather than just a label, and that really stood out to me as I took everything in. On top of that, designer Quincy Robinson unveiling the Masters of the Universe Chronicles Skeletor figure directly to the movie’s costume designer Richard Sale is the kind of behind the scenes crossover that fans rarely get to see, and it speaks volumes about the collaboration happening across departments and it reinforces that these figures are being treated as extensions of the film itself. Taken together, this wasn’t just another reveal dump, it felt like a celebration of the characters, the creators, and the shared history of Masters of the Universe coming together in a very cool, very deliberate way.

Skeletor

These in hand images show the figure standing upright with a wide stance, one hand raised as if casting a spell while the other grips the tall staff topped with a horned ram skull. Seeing it up close, I’m drawn to how the bright blue skin contrasts against the deep purple hooded cloak, which hangs straight down the back and frames the shoulders with visible fabric texture. The yellow skull face sits cleanly under the hood with dark eye sockets, paired with a layered chest harness and a red gem at the center, while the sculpted waist armor, loincloth, wrist cuffs, and boots all carry consistent detailing that really comes through in these in hand shots. The Havoc Staff looks pretty sick up close!

These in hand images really let me study the skin paint, with the blue finish showing subtle tonal variation that gives the surface a slightly mottled, organic look under the light. I keep coming back to the chest armor, where the layered sculpt frames that red gem cleanly in the center, and the paint settles nicely into the recessed details so it reads sharp up close. The belt is packed with sculpted lines and symbols, and seeing it in hand makes it clear how much depth is built into the design rather than relying on flat paint.

Up close, the belt really stands out with its layered sculpt, sharp panel lines, and raised symbols, capped off by a central emblem that sits forward on the waist. I like how the paint settles into the recessed details, giving each section of the loincloth clear separation and depth. The boots echo that same approach, with wrapped strap details, textured surfaces, and darker paint hits that break up the purple tones and read cleanly when viewed in hand.

I’m blown away by the cloak sculpt here, with a heavy fabric texture that runs from the hood all the way down the back and catches the light differently across the folds. The raised spine detail running vertically adds a striking layered element that feels intentional rather than decorative, almost stitched into the cloak itself. Seeing this up close really highlights how much depth and effort went into making the cloak feel substantial and not just a flat accessory.

You can also check out the full video of Skeletor here:

Teela

Teela is caught mid slide out of the box, with the inner tray revealing the figure and extra portrait tucked neatly beside her. I like seeing the head sculpt up close here, with the facial paint and hair color reading clean and natural under real lighting rather than promo lights. Watching her come out of the packaging really shows how securely everything is arranged while still giving a clear look at the sculpt right away.

Teela is shown in hand with the long hair head sculpt in place, and I immediately notice how the sculpted waves frame the face and fall naturally over the shoulders. The facial paint reads clean and sharp up close, with even skin tone and well defined eyes that hold up under real lighting. She’s gripping the sword firmly, and the blade and hilt look crisp with clean edges, while the armor and outfit show layered sculpting across the torso, straps, and boots that really come through when you can see the figure being handled rather than posed for promo shots.

Teela is shown held in hand with the alternate head sculpt, her hair pulled back to expose more of the face and neck, which really sharpens the expression from this angle. I like how the gold chest armor catches the light and shows off the fine texture, while the white pants and brown straps break up the look with clean paint separation. She’s posed gripping the staff across her body, and seeing it handled like this makes the articulation and balance feel natural rather than stiff.

You can also check out the full video of Teela here:

Evil-Lyn

Evil-Lyn’s box is shown in hand for the first time, and I immediately notice how the purple heavy color palette dominates the front panel and frames the figure inside the window. The character artwork running along the side adds a nice visual anchor, giving a clear look at the movie styling while the figure stands centered with accessories laid out cleanly beside her. Seeing the packaging handled like this makes the scale and presentation feel more real, with the figure sitting deep in the tray and the overall layout reading sharp rather than overly busy.

Evil-Lyn is shown partway out of the packaging, with the inner tray angled just enough to reveal the figure still cradled in the plastic shell. I’m noticing how the dark outfit and headpiece read immediately against the clear tray, giving a strong first look at the silhouette before she’s fully removed. The way she’s seated in the insert highlights how snugly everything is held in place, and it gives a natural preview of the proportions and sculpt without the figure being posed or adjusted yet.

I’m diggin’ the head sculpt and upper body here, with the crown-like headpiece framing the face and creating a sharp silhouette from the side and straight on. The facial paint reads clean in hand, with defined eyes and lips that hold up under natural lighting, and the skin tone feels consistent across the face and arms. The staff adds a strong vertical element, with a twisted shaft and a translucent purple orb at the top that catches the light and gives it a subtle glow effect without overpowering the sculpt.

What stands out next is the armor and lower body detailing, especially the layered textures running across the torso and thighs that feel carved rather than smooth. I like how the dark paint finishes break up the surfaces, letting the sculpted patterns show through instead of getting lost. The cape drapes behind her with a soft fold that frames the figure nicely when held, and seeing it handled like this makes the proportions and balance feel natural rather than stiff or overly posed.

You can also check out the full video of Evil-Lyn here: