Ramen Toy JoeFest 2026 Booth Images
Ramen Toy is not holding back at JoeFest 2026, and these latest booth images give us an even deeper look at everything they’re bringing to the table after we got our first look at their Good Ole Boys and Tiger Orange Ramen Racer v2 earlier. Walking through these shots, it’s clear that Ramen Toy came to this show with something to prove, and the sheer volume of product on display tells the story of a company that’s been quietly building momentum and is now ready to lay it all out for the community. The Good Ole Boys twelfth scale Dukes of Hazzard pieces continue to look fantastic in these new angles, and the Tiger Orange 2.0 Ramen Racer is catching light in a way that really shows off the finish and proportions of that updated sculpt. But it’s the JoeFest exclusives that are stealing a lot of attention here, with the Woodlands Hunter and Desert Viper both looking sharp and purpose-built for the kind of collector who wants something you can only get by showing up or being plugged in. What I love about Ramen Toy as a company is that they consistently design with collectors in mind, and you can feel that philosophy running through every piece in this booth, from the thought put into the colorways to the presentation itself. There’s a confidence to how they display their work that matches the quality of what they’re putting out, and these images really capture that energy on the floor. Can’t wait to see if they have any more surprises tucked away before the show wraps up. The Ramen Toy JoeFest exclusives are also up on their website for preorder so be sure to lock yours in now!
Booth Images
A packed table of vehicles and figures from Ramen Toy, with an impressive spread that covers everything from military hardware to iconic car designs. There’s a lot to dig into here, and a couple of those pieces in particular have us genuinely excited to see in person.
Here we have the REV series of vehicles and they all look so different from each other!
The REV Renaissance has a chunky, sculpted front end with an orange bull bar framing the grille and green lower bumper panels with individually molded turn signal housings. Up top, “COWABUNGA” runs across the roof visor above a pair of oval driving lights, a satellite dish, and a megaphone, all mounted on the green roof rack.
The REV Renaissance sits alongside the REV Receiver, a gray Channel 6 News van loaded with rooftop equipment including a satellite dish, antenna mast, and mounted lights. The size difference between the two is minimal, and seeing them side by side really sells the scale of the Renaissance.
The REV Receiver’s roof is stacked with gear, including a tall segmented antenna mast, a satellite dish with a “6” marking, a boxy equipment unit with sculpted venting, and a pair of mounted lights near the base of the mast. Along the side panel, the “Channel 6 News” deco is crisp, and the van has molded side mirrors, recessed door lines, and small sculpted wheel well details that give it real substance.
The rear doors of the REV Receiver swing open to reveal a fully detailed interior electronics bay, with rows of sculpted monitors, knobs, switches, and what looks like tape deck equipment stacked floor to ceiling. The floor of the van’s interior has a carpeted texture, and the open door carries a large red “a” logo on its window panel.
The open side door of the REV Renaissance gives a look at the van’s interior, where green molded seating and compartment walls are sculpted into the cabin. Orange fins along the rear roofline, a ladder running up the side panel, and the “COWABUNGA” lettering across the windshield visor all read cleanly from this angle.
The REV Revenge has a heavy-duty front end with a black brush guard wrapping around the grille, sculpted headlights with orange corner markers, and a winch mounted low on the bumper. A multi-barrel rotary weapon sits on a roof turret toward the rear, and a dark green storage box is molded onto the roof just behind the side mirrors.
Here is a great wide shot of the Good Ole Boys featuring Bo, Luke, and Daisy Duke with the Tiger Orange 2.0 in the background and they all look outstanding!
Bo, Luke, and Daisy Duke from the Good Ole Boys line are displayed together alongside the Tiger Orange 2.0, with Bo in a yellow button-down and light blue jeans, Luke in a blue denim shirt with dark jeans and a belt buckle, and Daisy in a red plaid top and white shorts. The head sculpts across all three carry distinct likenesses, and honestly, the details are nailed down tight for this scale.
Luke’s blue denim shirt has sculpted chest pockets and a deep open collar, paired with a brown belt featuring a gold oval buckle at the waist. Daisy’s red plaid flannel has a tied front with a white lace hem peeking out above her white cutoff shorts, and her sandals have sculpted strap detailing.
Bo Duke’s head sculpt has a great feathered hairstyle with swept-back waves and side-parted volume that is pure late-’70s/early-’80s television. Loving the hair on this one, they really committed to getting that era-specific look right.
The Wolverine prototype is an unpainted gray tank with a densely sculpted turret deck, featuring multiple hatches, raised equipment boxes, and a long-barrel cannon mounted on a pivoting base with ventilation cutouts along the recoil housing. A second figure is seated inside one of the open hatches, giving a clear sense of the vehicle’s scale relative to the 1:18 figures nearby.
The Wolverine prototype in unpainted gray shows off the full side profile of the hull, with a long run of road wheels and a continuous track section that stretches from front to rear. The turret deck’s equipment clusters and the extended cannon barrel with its ventilation cutouts.
The Desert Viper Tank sits atop the Neon Camo Mega Tank box , wearing a desert camouflage pattern in tan, brown, and gray with a turret loaded with open hatches, twin searchlights, and a tall antenna mast.
The front of the Desert Viper gives a clear look at the sculpted mine plow assembly, with individual tines molded separately and mounted beneath a wedge-shaped bumper guard. Twin gun ports flank the upper hull on either side of the turret base, each with recessed viewports and cabling running along the armor panels.
The Woodlands Hunter wears a three-tone camouflage in olive, gray, and brown that breaks up the hull and turret surfaces with large irregular patches. A mounted machine gun with a sculpted ammo box sits beside the open commander’s hatch, and a pair of thin antenna whips extend from the turret rear.
The side profile of the Woodlands Hunter shows the full length of the track assembly, with a series of road wheels nestled beneath sculpted side skirt armor that carries the camouflage pattern down to the hull’s lower edge. Raised panel lines, molded tow hooks near the rear, and a ribbed exhaust grate along the back plate add real depth to the hull’s detailing.
The Marshall line is displayed three across, with The Marshall on the left in a yellow and blue outfit with a star emblem on the chest, Techno Horse in the center wearing white and red armor with a flowing mane and a horn crest, and the Outlaw on the right with a wide-brimmed hat. Techno Horse towers over both flanking figures, and the accessories for the Outlaw look cool laid out in front and include sculpted crystal clusters, extra hands, and a rifle.
The Gullwing 2.0 is a red sports car with purple-tinted window panels and gullwing doors flipped open, with lightning bolt decals on the door panels and sculpted golden lance-style tips extending from each corner. Mad Hawkings stands nearby in a blue business suit with a yellow collar, joined by a smaller companion boy figure in a light blue shirt and a compact white robot with a round helmet and stumpy limbs.
