Aliens 40th Anniversary Hot Toys SDCC 2026 Booth Images

Seeing all four pieces together in one place really drives home just how committed Hot Toys is to celebrating the 40th Anniversary of Aliens, and the SDCC 2026 booth gave collectors the full picture in the most spectacular way possible. We’ve been following this lineup as it’s come together piece by piece, from the initial preorder reveals of Ripley and the Alien Warrior to the official images of the massive Alien Queen and the Power Loader tease, and now at San Diego Comic-Con, Hot Toys pulled it all together into one jaw-dropping display that lets you appreciate the sheer scale and ambition of what they’re doing with this anniversary collection. The Alien Queen is an absolute monster in person, towering over the rest of the display with the kind of sculptural detail that Hot Toys is known for, and seeing her alongside the Power Loader really hammers home just how iconic that final confrontation from the film is and how satisfying it’s going to be to recreate it on a shelf. The Alien Warrior, which we got our first booth look at during Hong Kong Comic Con, continues to look phenomenal with that biomechanical sculpt rendered in stunning detail, and Ripley rounds out the lineup with all the presence and authority you’d expect from one of cinema’s greatest protagonists. Every surface texture, every weathering pass, every proportional choice across these four pieces shows a level of care that matches the reverence collectors have for this film, and having them all on display together at SDCC is the kind of moment that really lets the scope of this project sink in. I can’t wait to see pricing and availability details on the Power Loader and Alien Queen as Hot Toys continues to roll out information on this incredible anniversary lineup.

40th Anniversary Display

Ellen Ripley stands alongside the full Aliens lineup, with the Power Loader towering behind her and the Alien Queen dominating the center of the display. The scale relationship between all four pieces is striking, with the Queen dwarfing the Warrior and the Ovomorphs scattered at her feet completing the hive scene.

Ripley

Ellen Ripley’s head sculpt captures a focused, determined expression with subtle skin tone variation around the cheeks and brow. Her white t-shirt sits under a complex harness rig loaded with buckles and straps, and the pulse rifle and flamethrower combo she’s carrying has sharp mechanical detailing on every component, from the taped grip to the magazine housing.

Ripley’s chest harness is loaded with shotgun shells arranged in a bandolier strip across her midsection, each one individually sculpted with small red primer caps. The olive satchel hanging at her hip and the olive-toned strap crossing over her shoulder complement the worn white tee and gray utility pants.

Ripley’s gray utility pants have visible seam work along the legs with reinforced knee panels, and her white short-sleeve tee has a soft, natural drape to it. The pulse rifle and flamethrower combo is a chunky, substantial piece with vented barrels and layered mechanical housing that fills the frame.

From the back, Ripley’s harness straps have a woven texture with small buckle hardware connecting them across her shoulders and midsection. The yellow shield-like panel mounted behind her has heavy scratch and scuff weathering layered over its industrial surface, with a stenciled letter partially obscured by the wear.

Ripley’s olive satchel bag has a snap-flap closure and a textured surface, hanging from the harness straps at her hip. The curly sculpted hair has individually defined ringlets, and a Xenomorph is closing in just over her shoulder with its inner jaw partially extended.

Ripley’s Reebok Stompers have incredible sculpted texture on the leather panels, with the strap buckle and tongue tag both sharply defined at this scale. The base features a crushed Xenomorph sprawled across a metal grating platform, with coiled tubing and limbs spilling over the edges.

Alien Warrior

The Alien Warrior’s full-body sculpt is absolutely loaded with layered biomechanical detail, from the ribbed tubing running along the torso to the textured ridges covering the elongated cranium. The base features an organic, hive-like mass with a gnarled, root-like structure extending from it.

The Xenomorph’s elongated cranium has a glossy, wet-looking finish with deeply sculpted segmented ridges running its full length. Three Ovomorphs sit in the foreground, their leathery, puckered surfaces covered in a bumpy organic texture.

The Alien Warrior’s back sculpt is covered in layered dorsal tubes that run from the shoulder blades down to the base of the tail, with the segmented spine clearly defined between them. A facehugger rests near the base, its spindly legs and knuckled digits adding a nice secondary detail to the display.

The Alien Warrior’s hands are skeletal and elongated, with each finger individually sculpted down to the knuckled joints and tapered claw tips. The ribbed tubing coiling around the torso transitions seamlessly into the biomechanical plating of the chest, and the high-gloss finish across the cranium and limbs gives the whole sculpt a slick, wet quality.

The Xenomorph Warrior’s elongated fingers wrap around an Ovomorph, and the knotted, bony sculpting on each digit is remarkably detailed down to the creased joint lines. The ribbed tubing along the neck and chest area transitions into thick, pipe-like structures that coil tightly against the biomechanical plating underneath.

The Xenomorph Warrior’s lower body has the same dense biomechanical layering as the torso, with corrugated tubing running down the inner legs and thick, gnarled plating wrapping the thighs and calves. An Ovomorph sits nearby at the base, its textured surface nestled against a sculpted organic mass of coiled, resinous hive material.

Power Loader

The Power Loader dominates the left side of the frame, its yellow frame heavy with exposed cabling, hydraulic lines, and caution striping along the arms and foot platforms. Ripley stands nearby with her pulse rifle, and an Ovomorph sits at her feet while the Alien Warrior looms behind them both.

The Power Loader’s lower leg assembly is dense with mechanical complexity, featuring hydraulic pistons, exposed cabling, and layered structural plating running from the foot platform up through the knee joint. Stenciled markings and small printed details are scattered across the frame, and the heavy weathering on the lower sections feels even more pronounced than the upper body.

The Power Loader’s rear frame is a maze of bundled hoses and cabling that drapes and loops between structural joints, with the antennae rising from the top of the cabin. The “N-1725” and “LOADER” stenciling on the main body is partially eaten away by the surrounding weathering, which is a nice touch.

The Power Loader’s cockpit interior is a tangle of bundled wiring, harness straps, and small mechanical components packed tightly within the roll cage frame. Black and yellow caution striping runs along the forward arm, and the foot pedal platform extending from the left side has a textured grip surface with its own layer of scuffing.

The Power Loader’s forward arm assembly features a heavy-duty forklift mechanism with twin vertical rails and a toothed lower plate, all covered in chipped and scraped weathering that exposes bare metal beneath the yellow finish. Bundled red, yellow, and blue wiring threads through the midsection frame, and the hydraulic cylinders connecting the arm joints have a nice metallic sheen to them.

The Power Loader’s arm and upper frame in close-up show the yellow-and-black chevron caution striping along the structural beam, with heavy chipping and scuffing that exposes the raw surface underneath. The cockpit cage behind it holds a tangle of joystick controls and harness hardware, while the lower structural column in the foreground has deep, layered scratches worn into the finish.

The Power Loader’s upper cabin area is packed with sculpted mechanical detail, from the mesh grille panel to the bundled red and blue wiring routed along the frame. An amber warning light sits on top, and the weathering across the yellow panels has a convincing worn, chipped finish that sells the industrial look.

The Power Loader’s yellow frame and the Alien Queen’s dark exoskeleton create a dramatic contrast as they occupy the same display space, with bundled hoses and cabling draping across the Loader’s midsection. Cosplayers in the surrounding crowd add a fun layer of chaos to the scene.

The Power Loader’s rear view is a dense cluster of hydraulic lines, structural bracing, and looped cabling that wraps around the central frame column. “PWL” stenciling on the foot platform and “POWER LOADER” lettering on the torso panel are partially worn away, matching the cumulative industrial beating the entire lower half has taken.

Alien Queen

The Alien Queen’s jaw is open wide, with rows of individually sculpted teeth lining both the upper and lower mandibles and the inner mouth structure just barely protruding from within. The dorsal spines along her back fan outward in a sharp cluster, and the Ovomorphs at her feet have a warm, earthy tone that contrasts with the Queen’s jet-black exoskeleton.

The Alien Queen’s open maw up close is a nightmare of sculpted detail, with stringy, sinew-like strands stretching between the upper and lower jaws and the inner mouth extending outward past the teeth. The fleshy, ridged tissue lining the interior of the mouth has a matte, almost wet organic texture that contrasts sharply with the glossy exoskeleton surrounding it.

A massive crowd presses in around the display, and the Alien Queen’s sprawling form commands the space with her segmented tail curving out past the table’s edge toward the onlookers. Iron Man, Thor, and a lineup of Marvel figures fill the neighboring display area, but the Queen’s sheer footprint easily steals the real estate.

The Alien Queen’s crest looms over the Power Loader’s yellow frame, and the scale between the two is staggering, with her clawed hands nearly as large as the Loader’s entire cockpit assembly. The segmented vertebral tail arcs high overhead, its glossy finish matching the dense biomechanical sculpting across her limbs and torso.

The Alien Queen’s jaw hangs open with that glistening inner mouth pushing forward, and the sculpted teeth along both mandibles are sharp and well-defined even at this scale. A smaller Xenomorph Warrior stands beside her, along with a yellow Power Loader platform partially in frame, giving a visceral sense of just how massive the Queen really is.

The Alien Queen’s crest is covered in fine, vein-like surface texturing that radiates outward from the center, giving the fan-shaped crown an almost membranous quality up close. A standard-scale Xenomorph Warrior sits just off to the side, and the sheer size difference between the two really hammers home how enormous this Queen sculpt is.

The Alien Queen’s clawed hands have long, tapered digits with individually sculpted joint segments, and each fingertip narrows to a sharp, curved point. A standard Xenomorph Warrior stands just below, its cranium barely reaching the underside of the Queen’s jaw, really driving home that absurd size difference.

An Ovomorph sits at the base of the Alien Queen’s legs, its deeply wrinkled, organic surface sculpted with heavy folds and a central seam running down the top. The Queen’s legs have a glossy, segmented construction with exposed mechanical-looking joint hardware visible at the knee area, and her elongated feet end in pointed, clawed toes.

The Alien Queen’s cranium is massive, with a broad, fan-shaped crest that has deeply layered folds and a high-gloss finish across the entire surface. The torso sculpt beneath is dense with interlocking biomechanical textures, ridged plating, and tangled organic detailing that just keeps going the closer you look.

The Alien Queen’s tail coils with dense vertebral segments, each knob individually sculpted with a glossy finish that matches the rest of her exoskeleton. The spinal column running down her back has sharp dorsal spines flanking it, and the ribbed underside detailing on the tail is just as intricate as the topside.

Up close, the Alien Queen’s torso is a tangled web of exposed ribbing, sinew-like strands, and layered organic plating that reads like Giger’s original design pulled straight off the canvas. A smaller Alien Warrior figure is partially tucked behind, giving a good sense of the Warrior’s imposing scale.

The Queen’s dorsal spines jut outward in sharp, tapered points, each one individually sculpted with a striated texture along its length. The interlocking plates beneath the crest where it meets the upper back have a tight, almost chitinous layering that’s incredibly dense with surface detail.

The Ovomorph’s closed top has four tightly puckered flaps meeting at a central seam, with deep wrinkles radiating outward from the opening. The entire surface is covered in an irregular, bumpy texture with a slightly glossy finish that gives it a convincingly organic, leathery quality.