Ganondorf Legend of Zelda Tears of the Kingdom figma No.632 Review
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When Ganondorf was first announced for the figma line, I knew this was going to be one I wanted in hand as soon as possible. Ganondorf has always been one of gaming’s most imposing villains, and his Tears of the Kingdom design took that presence to another level with the long flowing hair, ancient Gerudo aesthetic, and that raw, corrupted power radiating off every inch of the character. Seeing Max Factory tackle this version felt like a full circle moment for Zelda collectors who have watched the figma line slowly build out this franchise over the years. The sculpt on this one is sharp, capturing that towering, menacing silhouette that made such an impression in the game. At 7.5 inches, he scales well and commands shelf space the way Ganondorf should. The accessory spread is generous too, with three face plates covering his standard, shouting, and goading expressions, plus the Gloom Sword with scabbard, Gloom Spear, Demon King’s Bow, a Gloom effect part, and an arrow. That gives you a lot of display options, whether you want him wielding the spear in a combat stance or holding the bow for something more dramatic. The figma joint system keeps everything fluid and poseable without breaking up the sculpt too badly, and the overall package clicked immediately for me. This one hit, and I am really happy to have him in the collection. Huge thanks to Big Bad Toy Store for sending this Ganondorf The Legend of Zelda Tears of the Kingdom figma No.632 over for review, and if he has been on your must have list, you can still grab him now at Big Bad Toy Store.
Packaging
The box features a slip cover with printed images of the actual Ganondorf figure rather than illustrated artwork. The front panel shows him in his Tears of the Kingdom attire with flowing red hair, gold jewelry, and dark robes, while the side panel uses a red spiral pattern as the backdrop for a second figure photo.
The back of the box showcases a grid of seven photos featuring Ganondorf in various poses with his included accessories, including the Gloom Sword, Gloom Spear, and Demon King’s Bow. I like how the photo layout gives a good sense of the figure’s range, with shots highlighting the different face plates and the gloom effect part attached to the spear.
The front window gives a clear look at Ganondorf nestled in the plastic tray alongside what appears to be an alternate head sculpt and additional accessories secured around him. The red patterned interior of the box complements the gold jewelry and dark tones of the figure nicely, and the character artwork printed on the cardboard to the side of the window adds a strong visual frame to the presentation.
The back of the box mirrors the slip cover approach, using actual figure photos against dark, atmospheric backdrops rather than illustrated artwork. The grid layout includes shots of Ganondorf wielding the Gloom Sword, Gloom Spear, and Demon King’s Bow, along with a mounted pose on what appears to be a horse figure sold separately.
Figure Details
Ganondorf is displayed with his full accessory loadout spread out in front of him, including the Gloom Sword, scabbard, Gloom Spear, Demon King’s Bow, an arrow, the gloom effect part, three interchangeable face plates, and multiple swap hands. A clear figma display stand and support arm are also included, and it’s nice to see just how packed this release is for the price point.
The Demon King’s Bow features a striking color combination of dark green, red, and black along its curved limbs, with gold dragon-head finials at each tip that match the ornate gold scrollwork running along the outer edges. The arrow included alongside it has a slim wooden shaft with silver fletching and a pointed tip, and I like how the wrapped teal grip section on the bow adds a nice texture contrast to the smoother painted surfaces.
The gloom effect part is molded in a deep, glossy translucent red plastic that has a wet, organic look to it, with tendrils stretching outward as if mid-eruption. Surrounding it are several of Ganondorf’s interchangeable hands, each sculpted in his olive-gray skin tone with gold rings on the fingers, along with what appears to be the shouting face plate and a small gourd-shaped accessory tucked to the side.
A close-up of Ganondorf’s interchangeable hands shows a generous selection of swap options, each featuring his olive-gray skin tone with individually sculpted gold rings and bracelet details on the wrists. The gloom effect part sits nearby in its deep translucent red, and two additional face plates with anguished expressions and red hair framing are partially tucked beneath the hand array.
A close-up reveals two of Ganondorf’s alternate face plates, both featuring wide-open screaming expressions with bared teeth and furrowed brows. Each has his signature red hair framing the olive-toned skin, with a golden crown piece sculpted at the top, and the subtle differences between the two, one appearing to be the shouting expression and the other the goading face, are worth comparing side by side.
The accessory spread includes the Gloom Sword alongside its scabbard, which features a textured gray wrapping with cloth ties and orange accent bands near the top. I’m really digging the gold lion-head pommel on the sword and the matching gold guard, both of which carry the same ornate detailing seen in Ganondorf’s jewelry and crown.
Ganondorf stands in a wide stance with his olive-gray skin tone and dark robes on full display, and the colorful embroidered hip panels with their teal and gold patterns pop against the muted charcoal tones of his baggy trousers. The gold necklace with its red gemstone centerpiece sits prominently on his chest, complementing the gold armor accents on his shoulders and forearms.
Detailed with ornate gold jewelry across his chest and arms, Ganondorf’s sculpt shows intricate filigree work on the medallion chain, the armband clasps, and the decorative belt piece at his waist. The translucent plastic on the Gloom Sword gives it a clean, icy look, and the gold crown piece holding his swept-back red hair has a nice level of precision in its tiny sculpted flourishes.
The rear skirt piece drapes naturally over Ganondorf’s lower half, with a sculpted fabric flow that suggests articulation at the waist connection point allowing it to move with the legs. The ornate sash across his back features the same teal, red, and gold patterning with a bordered trim in maroon, and the small gold tassel dangling from the skirt’s hem is a nice little touch.
From the rear, Ganondorf’s dark robes billow outward with the skirt piece splayed wide, showing how the articulated sections separate to accommodate broader leg positioning. A clear figma support arm connects at the back to hold the figure aloft, and the sculpted geometric patterns along the lower hem of the skirt maintain their crisp detailing even with the panels spread apart.
The underside of Ganondorf’s skirt reveals a beautifully detailed interior lining with an elaborate teal, gold, and red pattern that mirrors the ornate embroidery found on his hip armor panels. I like how they carried the same bordered trim and scrollwork motifs through to a part of the figure most collectors might not even see, it shows a real commitment to the source material’s costume design.
Ganondorf holds the Gloom Spear overhead, and the weapon’s multi-section shaft with its red, teal, and gold segments catches the eye alongside the curved silver blade at its tip. The gold ornamental guard just below the blade has a sculpted intricacy that matches his necklace and crown, and the gold finial at the butt end of the shaft is worth noting since it’s designed to connect with the scabbard to form a combined super weapon.
The gloom effect part separates into two pieces, with the arrow slotting into the base section where the tendrils originate. The deep translucent red plastic has that same wet, organic quality throughout both halves, and the silver arrowhead pokes through the front of the shield-like portion with the wooden shaft extending out the back.
Ganondorf draws the Demon King’s Bow with the arrow nocked and the gloom effect part attached, and the deep translucent red tendrils wrapped around the bow’s limbs look fantastic in motion. I like how the arrow’s silver tip extends just past the gloom shield piece, with the whole assembly creating a layered, menacing silhouette against his gold crown and flowing red hair.
Ganondorf grips the Gloom Sword with one hand while the scabbard rests in the other, and one of his alternate open-grip hands appears wide enough to hold the scabbard securely without it slipping. The sword’s translucent blade catches the light as it’s partially drawn, and the scabbard’s cloth-wrapped body with its orange accent bands pairs naturally with the gold lion-head pommel of the weapon.
Ganondorf holds the Gloom Sword overhead while gripping the ornate shield accessory in his other hand, and the scabbard’s textured gray wrapping with its sculpted cloth ties is clearly detailed where it hangs at his side. One detail I really like is the gold filigree running along his sleeve, with layered bracelet cuffs and a repeating scroll pattern that extends from wrist to elbow, catching the light beautifully against the dark fabric underneath.
A close-up of Ganondorf’s upper torso and head shows the figure without a face plate attached, revealing the hollow opening in the head sculpt where the plate slots in. The pink-red hair is swept up into a topknot with the gold crown piece sitting at its base, and the elaborate gold necklace with its medallion discs and small purple and red gemstone inlays is nicely detailed at this distance.
Ganondorf holds the scabbard alongside the Gloom Sword, and the gold ornamental fittings on the scabbard, including the clasps and the decorative end cap, carry the same warm metallic finish as the lion-head pommel and his chest jewelry. The teal cord wrapping around the scabbard’s midsection echoes the teal tones found in his hip panel embroidery, tying the whole accessory design back to the figure’s color palette.
